JAMISON EDGAR

LOS ANGELES, CA

CURATION &
PUBLIC PROGRAMMING

04/2024 - 08/2024
Erotic Codex

06/2023 - 09/2023
We Are They:
Glitch Ecology and the Thickness of Now

->->-> A Night of Loving Devotion to the End of the World As We Know it ->->-> Director Dialogues: Cole Sternberg & The Free Republic of California 
03/2023-06/2023

Make Me Feel Mighty Real:
Drag/Tech and The Queer Avata
r
->->-> Derek Jarman: Double Screening ->->-> Evening of Hybrid Drag Performance
->->-> LA Drag Showcase w/ House of Avalon

09/2022-02/2023
Lucy McRae: Future
Sensitive
->->-> Rituals of Reproduction ->->-> Summit for Future Sensitivity
->->-> Curator Walkthroughs

04/2022-06/2022
Surabi Saraf: Awoke and Awokened Alaap ->->-> Songs of Healing: Music & Artificial Emotional Intelligence
04/2022-06/2022

Yassi Mazandi: In Flight


INF︎->
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WRITING / HYPERTEXT / INTERVIEWS

“Spectacular Formations”,  The thing that happens when the thing that was supposed to happen does not happen. Miller ICA (Pittsburgh, PA)

“Propagated in Obscurity: Bermuda Grass and Rhizomatic Queerness,” Flor Fantastic. (Venice Biennale: Estonia Pavilion 2022)

“Make Me Feel Mighty Real’: 70 years of Drag Art and Tech,” Greater LA. NPR-KCRW (Los Angeles)

Contemporary Performance Reivews
ACTIVATED ARCHIVES

✰Drought Float
Plunge
✰Nearest Neighbors
Days End
A Diva is A
Perv
Dance Dance Romance
Acidity Works
Declarations Are Expected

I’M COMING UP 


10/2023

Queer/Tech Podcast  In partnership with ONE Archives Foundation 

︎ ︎ HF

©2023 JAMISONEDGARSTUDIO

Jamison Edgar


Lucy McRae

FUTUREKIN

OCTOBER 18, 2022 - FEBRUARY 18, 2023
HONOR FRASER GALLERY, LOS ANGELES

Can our technologies be more than a quick fix, and instead help us find strength in our imperfections? Can sensitivity be a guiding principle as we dream about the future? Future Sensitive cultivates these questions and asks us to trust in the unknown as we pioneer new aesthetics, new stories, and new ways of being together in the world.

Honor Fraser is pleased to present Future Sensitive, a solo exhibition of short films, soft sculptures, and kinetic installations by the filmmaker and body architect, Lucy McRae. An opening reception will be held on Saturday, October, 1 between 2 and 5 PM. Please join us on October 1 at 3PM for a gallery walk-through with Lucy McRae and SFMoMA curator of architecture and design, Jennifer Dunlop Fletcher.

Lucy McRae's genre bending, science fiction films and installations gesture to a speculative, not-so-distant future where advanced genetic engineering will enable humans to be grown in laboratories outside of the womb. The exhibition spotlights McRae's dynamic capacity for world-building, and brings together a selection of her recent projects to ask how future technologies of design will fundamentally alter entrenched notions of human intimacy, reproduction, spirituality, and wellness. Can our technologies be more than a quick fix, and instead help us find strength in our imperfections? Can sensitivity be a guiding principle as we dream about the future? Future Sensitive cultivates these questions and asks us to trust in the unknown as we pioneer new aesthetics, new stories, and new ways of being together in the world.

Future Sensitive spills across the galleries at Honor Fraser with the uncanny patina of a world not quite our own, and yet one hauntingly familiar. For the first time in North America, McRae's films are exhibited within an installation of sculptures, machines, and other speculative designs used during filming and production. The exhibition marks a significant milestone in the artist's internationally distinguished career, and debuts the world premiere of two short films, Futurekin (2022) and Delicate Spells of Mind (2022).
Visitors to the gallery are invited to explore the installation as protagonists in McRae's future world, using the artworks as scaffolding for their own embodied contemplation. In this post-human landscape, already existing "low-tech" and industrial materials—vacuum cleaners, roller skate wheels, camping equipment, blow-up fans, construction straps, and plastic tarps—are reconfigured into Sci-Fi objects for future survival. Hanging nets, gymnasium-like floor coverings, and other subtle architectural interventions mimic the calculated compositions that McRae uses within her films, and guide visitors towards an increased awareness of their own bodies as they interact with the speculative material.

The three films on display, Futurekin, Delicate Spells of Mind, and Institute of Isolation (2016), are futuristic renderings of daily life that are both spectacular in their banality and brazen in their examination of human hardwiring. Adorned in the industrial exoskeletons of future fashion, specters of our future selves are momentarily caught in acts of labor, vulnerability, and reciprocity. The three films forecast an already evolving human spirit and chart these changes across collective networks as well as individual actors. McRae appears in each film as a conduit between worlds. At times she moves freely, even with authority, but at others she is made immobile and subject to the generosity and care of those around her. As a character in her own thought experiment, McRae's fluctuating subjectivity invites us to reconsider the solution-oriented rhetoric that dominates the discourse of technological innovation, and in so doing, champions messy models of solidarity over the rigid rubrics of technological perfection.


︎︎︎MORE INF︎ HERE︎︎︎