JAMISON EDGAR

LOS ANGELES, CA

CURATION &
PUBLIC PROGRAMMING

09/2025 - 11/2025
FXLK PLAY

04/2025 - 01/2026
Not a Corn Field :
Meabolic Studio at 20 Years

03/2025 - 04/2025
Queering Digital

09/2024 - 12/2024
Concrete is Fluid 

04/2025 - 08/2025
Erotic Codex

06/2023 - 09/2023
We Are They:
Glitch Ecology and the Thickness of Now


->->-> A Night of Loving Devotion to the End of the World As We Know it
->->->
Director Dialogues: Cole Sternberg & The Free Republic of California 

03/2023-06/2023

Make Me Feel Mighty Real:
Drag/Tech and The Queer Avata
r

->->->
Derek Jarman: Double Screening

->->->
Evening of Hybrid Drag Performance
->->->
LA Drag Showcase w/ House of Avalon

09/2022-02/2023
Lucy McRae: Future
Sensitive

->->->
Rituals of Reproduction
->->->
Summit for Future Sensitivity
->->->
Curator Walkthroughs

04/2022-06/2022
Surabi Saraf: Awoke and Awokened Alaap

->->->
Songs of Healing: Music & Artificial Emotional Intelligence

04/2022-06/2022

Yassi Mazandi: In Flight


INF︎->
︎︎



WRITING / HYPERTEXT / INTERVIEWS

Miller ICA (Pittsburgh, PA)
“Spectacular Formations”,  The thing that happens when the thing that was supposed to happen does not happen.

Venice Biennale: Estonia Pavilion
Propagated in Obscurity: Bermuda Grass and Rhizomatic Queerness,” Flor Fantastic.

NPR-KCRW
“Make Me Feel Mighty Real’: 70 years of Drag Art and Tech,” Greater LA.

Queer/Tech Podcast In partnership with ONE Archives Foundation

Contemporary Performance Reivews


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©2025 JAMISONEDGARSTUDIO

Jamison Edgar


Public Programing

AN EVENING OF HYBRID DRAG PERFORMANCE  

MAY 19, 2023
HONOR FRASER GALLERY


Wesleigh Gates (she/they) is an artist & academic working across disciplines to foster connection, collectivity, and care. Her performance work as a director and collaborator has been seen in New York, Los Angeles, Pittsburgh, Philadelphia, Boston, and Prague, and has been supported by the Foundation for Contemporary Arts and the Frank-Ratchye Fund for Art at the Frontier.


Antigoni Tsagkaropoulou (they/them) is a visual artist from Athens, Greece based in Los Angeles. In their multidisciplinary practice, they explore notions of intimacy, alienation, gender and the affective components of computation in a rapidly advancing technological society. Manifesting in sculptural installations, experimental films and performances, their work is revisiting the neglected “herstories” of the past, challenging normative power structures, and amplifying queer voices to reimagine radical futures.


Anna-Maria Velentza (she/her) is a psychologist with research experience in engineering principles, IoT, androbotics. Theyhold a MSc in Cognitive Robotics, and studies the rolecognitive functions such as memory and attention in Human Robit Interaction, as well as the role ofhumans in Cyber Physical Systems. Velentza is a Fulbright Scholar and a PhDstudent in Human-Robit Interaction Research at the Laboratory of Informatics and Robotics for Education and Society at USC.